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on retrouve « le côté cour des miracles » que Dado affectionnait
They were produced as a bureaucratic service to a judicial system and as documents and objective records of activities and situations that pertain to alleged crimes scenes
people and places
Ces sculptures à vivre sont aussi
often misunderstood and pushed to the margins
Paul Virilio Bunker Archeologie Sao Paulo on retrouve « le côtéThe reputation as an auteur that Paul Virilio (19322018) enjoys today derives from the work he did for his Bunker Archeology. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along Frances Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he co edited. At the time, he was
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